![]() ![]() How we got into analysis, and how to get out. The earliest challenge was issued by Joseph Kerman ( 1980 Fred Maus's critique (1993) reveals analysis to be like a science-oriented theory, which might be one reason for the absence of women's music.ģ. ![]() ) does not specifically identify women as an unrepresented group in his call for the discipline to embrace criticism. Although critical of the positivist approaches to analysis, Kerman's Musicology ( 1985 ), and in recent issues of Music Analysis, Perspectives of New Music and Music Theory Spectrum. The new Grove handbooks in music: Analysis. ![]() Male composers also dominate discussion in the following: Bent and Drabkin ( 1984īent, Ian, with William Drabkin. These are focused on music of the Western tradition and its male composers. New Haven,, CT and London : Yale University Press. ![]() ) and Allen Forte, The Structure of Atonal Music ( 1973įorte, Allen. See, for example, the following widely used analytical textbooks: Nicholas Cook, A Guide to Musical Analysis ( 1987Ĭook, Nicholas. Analyses of music and the historical overviews of music analysis in various publications support this view. Gender economies: Literacy and the gendered production of neo-liberal subjectivities. A compelling account of the impact of neo-liberalism on subjectivity is given in Davies and Saltmarsh ( 2007ĭavies, Bronwyn, and Sue Saltmarsh. ![]()
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